Works
The painting on canvas was created in 1652 and depicts the “Holy Archbishop of Besançon”. It is located inside the sacristy of the SS. Andrea and Claudio of Borgognoni Church in Rome. The complete restoration of the painting was carried out as part of the general restoration of all the decorated surfaces of the interior of the Church carried out between 2022 and 2025 (currently being published).
The painting on canvas is located in the right-side transept inside the SS. Andrea and Claudio dei Borgognoni Church in Rome. Made in 1739 it represents “S.Claudio who entrusts the citizens of Franche-Comté to S.Carlo Borromeo”. The complete restoration of the painting was carried out as part of the general restoration of all the decorated surfaces of the interior of the Church carried out between 2022 and 2025 (currently being published).
The pinacoteca of the Basilica of San Paolo outside the Walls in Rome, contains the altarpiece by Antonio Aquili known as Antoniazzo Romano representing "Madonna and Child between Saints Paul, Benedict, Justin and Peter".
It was made for the Roman Basilica from 1488 to 1490.
The restored paintings was presented on the occasion of Antoniazzo Romano and Montefalco exhibition in the Museum Complex of San Francesco in Montefalco in 2017, curated by Antonio Paolucci, an exhibition promoted by the Umbrian Region, the Vatican Museums and the Municipality of Montefalco.
The catalog of the exhibition, edited by Angela Breda (see section "Publications"), contains, among others, the information about of the technical report and the photographic documentation to our restoration.
( Photo by Musei Vaticani, Governatorato SCV )
Madonna of Collemaggio is a painted terracotta sculpture created by Saturnino Gatti in 1507. Our restoration intended to complete the emergency interventions carried out by the ICR (Central Institute of Restoration) immediately after the 2009 earthquake, which involved the movement of the sculpture from the Basilica of Collemaggio to the National Museum of Abruzzo (Munda). At the end of the restoration work, the statue returned to the Basilica of Collemaggio, inside the original niche in the right transept.
(Photo by L. Nardelli)
In 1532, Francesco Salviati painted the panel of the Annunciation above the Annunciation Altar in the church of San Francesco a Ripa in Rome.
The panel which suffered from scattered paint lifting along the joints of the boards and a uniformly faded varninsh layer following previous interventions that had changed the color of the panel, was restored on the occasion of the exhibition “Francesco Salviati o la Bella Maniera”, which was held at the Villa Medici in Rome.
The restoration was conducted on the painted surface and on the wooden support.
(Photo by P. Soriani)
(Photo by P. Soriani)
